5) Joy Division + Teletubbies = This video
If you ever thought “What does Harry Connolly think about the future of self-publishing?” well, there’s your chance. Space was limited so I didn’t have the chance to gas on the way I usually would, but it was nice to have one small opinion and express it in a small way. And, obviously, I talk about crowdfunding, too.
Also, I’m about to drop a note to the interviewer about the term “grimdark.”
Check it out!
2) Completely amazing: All the silences in an episode of Dr. Phil. Video.
3) An analysis of one of The Dark Knight’s action sequences, to examine why so many people found it incoherent. Video.
6) A brand new thirteen-story apartment building in Shanghai tipped over. Only one death, because the building was so new it was unoccupied.
1) A random comic generator. NSFW.
3) Was 2014 the Year of the Video Essay? Who knew? How to make a great video essay: Video (naturally)
4) A long run down a concrete luge in New Zealand. Video.
6) Google maps for fantasy spaces. Cute.
Over at io9, Charlie Jane Anders has a post about lessons learned by the entertainment industry in 2014, and her number one lesson is that subject header above. And I think she’s wrong.
There are two ways to come at the question. First, do we pin the blame of a box office failure on a poorly-used plot structure? Well, you can try, but it’s not very convincing. Eventually, we’ll have something like Raimi’s version of Spider-man which, for all its flaws, made the structure of super-powered-nice-guy-vigilante-with-two-identities-trying-to-stop-crime-in-secret really come together. Audiences went nuts for the first one, and if they’re less enthusiastic now it’s because later iterations have been really, really flawed, and far too familiar.
But are superheroes a genre?
What unifies the books in the horror genre? The emotion they invoke.
What unifies the books in the mystery genre? The central plot question.
What unifies the books in the western genre? The setting.
What unifies the books in the fantasy genre? A plot element.
Some genres are easy to mix. You write a scary story set in the Wild West: Horror western. You write a romantic story with fantasy elements: Fantasy romance.
So the real question becomes: Are superheroes a “plot element” genre or are they a plot structure genre? While it’s true that there’s a standard plot formula that has become associated with superheroes (true with any genre, really), the remainder of the “superheroes are not a genre” argument Ms. Anders makes demonstrates how well they mingle with other genres.
Notice also that those other genres are mainly settings and plot structures: dystopian time-travel, space opera, etc. That’s because the superhero genre is a “plot element” style. You wouldn’t say that Captain America 2: The Winter Soldier isn’t a superhero movie because it has spy thriller plot. It’s both, in the same way that Romancing the Stone is a romance and an adventure.
BTW, did you know that I’ve been pitching my new trilogy as “Epic Fantasy that reads like a Thriller”? It’s epic fantasy because of the setting and the inclusion of magic, and it’s a thriller because of the pace and tone. Genres based on different things are easy to mix. Genres that are very similar can be really difficult.
6) The relationship between coffee and mesmerism, and the importance of morning rituals. Video.
3) Is everything good about Minecraft gone? This piece echoes my earlier post about buying my son an Xbox, and I agree that Minecraft has changed as third parties set up their own servers. My son plays a game that’s a lot like The Hunger Games, and doesn’t build nearly as much as he used to. He still builds, but there’s a lot of PvP, too.
5) Dutch real estate broker installs mini-rollercoaster into home to give prospective buyers a tour. Video. As stunts go, this one is terrific.
6) Ugly Christmas sweaters are the new thing, so why not turn them into men’s suits? (That’s a rhetorical question.)
7) Ben Edelman, Harvard Business School Professor, Goes to War Over $4 Worth of Chinese Food. You can be very very wrong while being right.
2) Stan Lee responds to people who ask him when he’s going to retire. Video.
4) Seventeen-year-old wins science competition by building an efficient algae biofuel lab in her bedroom. I hope this kid becomes a billionaire.
5) Do you get your hair cut at a barber? How to talk your barber about the haircut you want. Includes a helpful video.
7) The novel then steps back in time to explain how Rico went from being just another one of Heinlein’s incurious teenaged dullards to an enthusiastic war criminal. In the process, it paints an interesting picture of the world Rico lives in, as well as of the contents of Heinlein’s id. James Nicoll reviews Starship Troopers.
Mary Robinette Kowal (who seems like a nice person but I know so little about her that she could be a Nazi eugenics researcher and I’d have no idea) posted a Debut Author Lesson that includes this:
I just got an email from my editor that Shades of Milk and Honey is going into its 7th printing.
Between all the US editions so far, we’ve netted 23,793 copies. That’s not counting the UK or foreign language editions.
Seven printings, but under 24K copies. For comparison, Child of Fire sold over 29k copies over the same length of time plus six months. Again, that would be lower than Pat “Maybe I’ll help Nathan Fillion buy the rights to FIREFLY” Rothfuss’s new book sells in a week, but more than many other authors might sell.
Also, we’re not talking identical formats. Ms. Kowal’s novel came out in hardback first, and those editions are more lucrative than mass market paperback. And maybe her sales numbers don’t include ebooks (my paper ed. sales numbers are ~17K). She doesn’t say and I’m not going to ask.
Because as she says, it doesn’t matter. You can’t really compare the sales figures, because they’re in different genres, different formats, with different expectations. There are probably a lot of UF books that would be considered a success at 29K ebook & mmpb sales, but Del Rey really invested in the CoF, the sequels sold significantly worse than the first, and Del Rey had high expectations.
So congratulations to all writers who are succeeding by their own standards, and supportive fistbumps to all those writers who haven’t succeeded but keep trying.