It’s not just about the original story; it’s also about the way people responded to that story.
When my son first started going to Pokemon league, I always made sure to sit in the back of the room. The game store where it was held had a cafe attached (a pretty good one) where I could have relaxed with a beer and some fries, but I always hung at the very back and watched.
The main reason was that, for the first few weeks, an older guy decided to teach him out to play the game. The guy gave me the skeevies for a lot of reasons, not least that his shirts were always filthy in back between the shoulder blades, as though he was sleeping outside (now that sex offenders have to register and inform their neighbors of their criminal history, many have become homeless).
Did I know the guy was a pedophile? Nope, but there was no way I was going to take the chance, and I wasn’t going to leave my son’s safety in the hands of the store/event staff.
Now, this is different from a convention-type event. Pokemon League took place in a room about the size of the cafe I’m sitting in right now. In a convention, people range farther, it’s a bigger space, and there’s way more to see. In that situation, the organizers absolutely have to step up.
If the event is going to have little kids in attendance, porn and other sexual materials should be forbidden. If the whole point is porn and sexual material, the organizers should not allow anyone under 18 to attend.
More importantly, if the people attending have zero faith in the organizers’ ability to keep their attendees safe (especially 11yo girls) that’s a huge, huge problem.
making books The outside world: people publishing scientification
by Harry Connolly
There was a great piece on Morning Edition yesterday about art that becomes popular versus art that doesn’t. Is there some quality that makes some art successful and preserved forever or is it all just random chance?
Obviously, the big problem with a question like that is that you can look at only one timeline; there’s no way to look at an alternate world where the Potter books never took off (or they did, inevitably).
For those who haven’t clicked the link (you can listen to the short news piece or you can read a transcript of it) a Princeton professor decided to create a number of alternate virtual worlds to test the hypothesis that popular art becomes popular because of its inherent qualities rather than random chance. He created a database of music by unknown, unsigned bands and invited thousands of teenagers to listen and download their songs for free.
Those teenagers were randomly sorted into nine different “worlds.” In one control group, the teens did not get the chance to see which songs other teens selected. In the other eight, they did.
Try not to be wildly surprised, but different songs became popular in different virtual worlds. A song that was number 1 in one setting was 40th (out of 48) in another. Further experimentation established that there was a minimum level of quality below which popularity was not possible, but after that there was no predicting what would be successful and what would not. Read it yourself if you’re curious.
My problem with this is not the assertion that popularity does not come solely from quality, and that a piece of art that is well-known is not inherently better than something obscure. It’s always been perfectly obvious to me that wonderful and excellent books could/should have been popular but weren’t (I’m not talking about me, now).
My objection here is that the good professor chalks popularity up to “chance.” In fact, he (or at least the reporter covering his work) hits the idea of chance very hard. But that’s a black box.
I’ve talked about this sort of thing before, but there are a lot of effects that people attribute to chance simply because they are not well understood. What I would like to see is an experiment that examines the way those songs became popular in each virtual world. Was it an early surge? Was there an early surge that faced a backlash, with the more popular work getting a secondary surge? I’d like to know, and by that I mean that I’d really really like to know.
This week, Postsecret has a theme because it’s National Eating Disorders Awareness Week. For women 15-24, eating disorders are the leading cause of death, by a long shot.
If you have or know someone with an eating disorder, please seek help or talk to a doctor.
making books The outside world: people publishing
by Harry Connolly
As a followup to the post I put together linking critical analyses of Hugh Howey’s Author Earnings report, I have something brief to say: It’s clear that Howey’s data isn’t all that great, which he knows. It’s also clear that the conclusions he’s jumping to–even before he gets to analyzing B&N or whatever he’s doing next–are not supported by the data.
That’s too bad because this could have been the data I’m looking for. The book I published before last was self-published, and this year I expect to self-publish five more times. As I consider small press offers to put out the books, it would be really helpful to have numbers to look out.
Sadly, despite Mr. Howey’s bold conclusions, I don’t. Yeah okay the guy keeps talking about the limits of the data he’s collected, but he also talks as though the data has proved him right. Actually, he’s claiming to be proved righter than ever.
As the links in that previous post demonstrate, that’s not the case. It’s pretty clear that, once Howey got the data, he didn’t really know how best to use it, nor did he know what was absolutely not allowed. The enthusiasm and certitude behind his conclusions are textbook Dunning-Kruger Effect.
We’re all prone to confirmation bias. How many people dismissed what he said without really looking at it? How many people really looked at the report, recognized the flaws, then decided to believe it all anyway? It’s easy to believe flattery. It’s easy to stand in the mirror in just the right way to catch yourself at a good angle. We exert that sort of unconscious control all the time; that’s why we need smart knowledgeable people who know the rules. Howey may know how to write a bestseller but when it comes to data analysis he’s just another thriller writer. Also, it seems that his “Data Guy” is really just “Coder Guy.”
It’s too bad. I could have used expert advice. Unfortunately, he doesn’t have any to offer and he doesn’t even know it.
Yep, shocking but true. I spent decades of my life reading and writing, studying texts and story, and sweating over revisions of my own work only to hoodwink readers. You got me!
Or maybe I think that Amazon reviews are not especially important. Maybe I think an unknown number of the reviews are completely fake/done as a personal favor. Maybe a substantial number are written because the reader has some weird axe to grind that has little to do with the book at hand. Certainly many of the reviews are written by readers eager to share their honest opinions without much evidence that those honest opinions actually have an impact.
I’ve been trying to come up with a metaphor for this, but nothing seems right. Not every reviewer is being paid, so you can’t call it a whorehouse. Not every reviewer is friend or family to the author, so you can’t call it a theatrical review of a grade school play. Not every reviewer is a twitchy reactionary lunatic, so you can’t call it a recruitment session for the Libertarian Party (I kid, I kid).
I suppose I could ask if anyone reading this can think up an appropriate metaphor, but seriously, fuck you guys.
For folks who don’t know who Harriet Klausner is, a brief introduction. Here’s the full text of her review of my debut novel, CHILD OF FIRE:
In Hammer Bay, Washington, the ecomony is booming due to the toy factory; however, residents even those who work at the prime employer fail to realzie that some of their offspring can use magic.
Twenty Palace Society field agent Annalise Powliss hunts and kills rogue magic practitioners. Convicted felon Ray Lilly is her chauffeur, but they share a not so kind past as he betrayed her so he knows she plans to kill him at the most opportune time. The Society learns of the goings-on in Hammer Bay and led by take no prisoners Annalise plan to destroy the factory and kill anyone of any age who uses magic. However, the execution fails and Annalise is hurt; Ray must finish the assignment against a much more powerful sorcerer who sacrifices humans especially children to gain incredible amounts of power.
The key to this small town fantasy is the use of magic as collateral damage is not only acceptable it is preferable if needed to complete a mission. That premise ties the rogue and the Society together as innocent bystanders die in high numerical waves, which in turn brings a sense of realism to the exciting story line. The dysfunctional relationship between the driver and his boss enhances the tension of an exhilarating High Noon paranormal thriller.
All spelling infelicities in the original; this is just a cut and paste.
As Klausner’s reviews go, this one is better than average. Yes, it appears to have been written as quickly as possible with little regard for spelling or how it reads. Yes, some details are wrong; Ray isn’t anyone’s chauffeur, although he is driving the beater van at the start of the book. However, most of the plot details are correct, which isn’t always a given in Ms. Klausner’s reviews. However, she did give my book her lowest review: only 4 stars. For her, that’s practically a slam.
So, yeah. Her reviews are not insightful and some this year she will post her 30,000th on Amazon.com. That’s, er, a lot. I’ve heard that some times she posts as many as six reviews a day; how many books could you speed read in a day?
But whatever, right? No harm done… unless you’re the sort of person who’s Bothered By Things. See this 2012 “investigation” into Klausner’s reviews, which discovered that she received free ARCs from publishers, gives them positive reviews, then hands them off to her son to sell for COLD HARD CASH.
Nevermind that The Strand bookstore is floor to rafters with resold ARCs from other book reviewers. Nevermind that there’s no difference in what Klausner does and what other reviewers do besides scale. Apparently, she’s a woman reviewing badly for nefarious purposes and a group of people have begun to follow her around and badmouth her reviews. That link takes you to Sharon Lee’s new book Carousel Sun; how pleased would you be to discover that, on the week your book comes out, Internet Melodrama is breaking out on the book’s Amazon page that has nothing to do with the author. (Buy her book, folks, to help soothe that pain.)
[Edited to add: There are, as of this writing, 46 comments under Klausner's review, many justifying the decision to follow Klausner from page to page to taunt and mock her including one comparing her to Timothy McVeigh(!). Ugh.]
You might think I would be upset about what Harriet does–write universally positive reviews so she can continue to churn out incomprehensible reviews on books she’s barely skimmed for a few thin bucks, but once again you’d be wrong. My take is this: It’s a hard hard world. If she can make a few bucks (nobody is getting rich selling ARCs on fucking half.com) for herself and her family, and if publishers want to keep sending review copies to her, let them. As sins go, this isn’t half so terrible as the moving flame war hitting the Amazon pages of author after author.
Klausner-stalkers, find something useful to do. Advocate. Make something. In fact, Instead of reviewing Klausner’s work (fish -> barrel) write your own, and make them good. If your lives are so comfortable that a minor transgression like this annoys you so much, give thanks to whatever deity you worship and go volunteer at a food bank.
Because this thing where you follow a woman from page to page to insult her? That’s just sad.
Christ, I meant to watch a few minutes of THE MAN FROM NOWHERE and now it’s quarter to three in the morning and I’m supposed to be getting up to work in the morning.
Anyway, I hate writing short blog posts–esp if it’s just a link to something on another site–because it feels like such a cheat. WordPress automatically posts notice of the new entry on my Facebook, Twitter, and G+, and all people find when they click it is a link to another site. So, for example, if I want to let people know how to write for a game company like Evil Hat, it would make more sense if the tweeted link they’re clicking was the direct one. Just saying.
But the weird thing is that fewer than half the people who click a link to my blog actually bother to click the direct link. It’s like they click the one, see another link and just give up. They cared enough to click once, right?
I feel like Werner Herzog in JACK REACHER: “They always choose the bullet. I do not understand.”
Oh god I’m tired.
“Part of the problem is that the major publishers ignore the genres that sell the best. This is a head-scratcher, and it nearly caused a bald spot when I was working in a bookstore. I knew where the demand was, and I wasn’t seeing it in the catalogs. Readers wanted romance, science fiction, mystery/thrillers, and young adult. We had catalogs full of literary fiction. Just the sort of thing acquiring editors are looking for and hoping people will read more of, but not what customers were asking me for.”
You know what? The last time I walked into a Barnes & Noble, I stood looking at all those shelves full of books and thought “Jeez! If only I could find books that I want to read!” Too bad those multi-million dollar corporations don’t have a sharp guy like Howey around to explain to them how their business works. All you have to do to get bestselling authors to renegotiate their contracts en masse is to put them on a mailing list with struggling midlisters! Gosh, it’s so simple! Amazing that no one realized this before.
And yeah, get out of New York City, publishing! Why would you want your business in a hub full of smart, creative people who share your interests and might have the skills your company needs. Telecommuting! Email! The car-centric hell-hole that is Houston! Because efficiencies are less important than an easily understood number like “rent in Manhattan.”
(Actually, most of that post is pretty embarrassing. h/t Mr. Hornswoggler) #sfwapro