3) Scully likes Science (remix). Video.
7) CG Deadpool test footage. I’d happily watch this.
3) Scully likes Science (remix). Video.
7) CG Deadpool test footage. I’d happily watch this.
4) Casting letter shows alternate actors considered for ST:TNG. Jenny Agutter as Beverly Crusher? Wesley Snipes and Geordi? Kevin Peter Hall as Data? Yaphet Kotto as Picard? Huh.
7) Top 10 Most Effective Editing Moments of All Time, according to Cinefex. Video.
2) Ingmar Bergman’s THE FLASH. Video. #lol
4) A film from 1943 or 1944 with a British major demonstrating knife-fighting techniques. Dubbed into Greek but subtitled in English. Video.
I’m not first with the news, but MTV has finally, after holding the rights for… well, a long time, given the greenlight to a ten episode season of the Sword of Shannara TV series.
It’s an interesting counterpoint to GOT, which is the project that everyone is going to compare it to, and why not? Martin’s success on the small screen made a path for Brooks’s work to follow, just as Tolkien did for the novels.
John Favreau was originally announced as the director of the pilot, but he’s apparently stepped back into an Executive Producer role. Now it’s going to be the guy who did the new Teenage Mutant Ninja Turtles, I guess? The writer/producers (who are much more important in TV than the directors) are Miles Millar and Al Gough, the guys behind SMALLVILLE.
Also, the show’s not going to be based on THE SWORD OF SHANNARA (because Peter Jackson already made that movie, maybe?) but on second book THE ELFSTONES OF SHANNARA. Obviously, there’s an epic quest and an important magic item, but unlike LOTR, they aren’t trying to destroy something toxic. They’re trying to retrieve something good.
Which is part of the reason so many LOTR imitators felt so thin, but nevermind. Who are they going to cast as not-Aragorn? What about not-Gandalf? And I’m sure they’re not going to stick with not-Gandalf’s name, Allanon.
By the way, Mr. Brooks is local to me (Deadline calls him “the second-biggest-selling living fantasy book writer, after Harry Potter author J.K. Rowling”) and I’ve heard him interviewed on the local PBS station. He explained that it’s not pronounced “Shah-NAR-ah”. It’s actually “SHAN-uh-ruh”. That’s straight from the man’s mouth.
Still, it’s the book that launched Del Rey, my former publisher, and it was the first fantasy novel to hit the NYTimes trade bestseller list.
I’m not going to be watching it, though. I read the first book in junior high, when the buzz around it was huge. My friends loved it, but I didn’t–I don’t even remember why–I didn’t read the rest. ELFSTONES… might be original and compelling light fantasy, but I’ll never know.
Then again, I don’t watch GAME OF THRONES, either, because I don’t have cable and don’t torrent things. What’s more, I can’t exactly bring home the DVDs when my kid is always underfoot. Maybe I’ll borrow them from the library when he’s old enough to watch creepy incest with his fath–when he moves out.
One thing I’m curious about: how explicit will they be with the post-apocalyptic setting? Will there be a crumbled Seattle Space Needle? Old transformer stations? “Wands of Sniping” (I just made that up) and who knows what else? In my opinion, the more like THUNDARR, the better.
But seriously, I hope it’s super-successful (I have an epic fantasy of my own coming soonish).
Usually, Saturdays are the biggest writing day of the week for me, but yesterday I had the day off. We celebrated my wife’s birthday, and I put aside all the usual stuff I’m supposed to be getting done so she does not have to cook, clean, or loiter around waiting for me or the boy to start doing what she wanted to do.
So I made her favorite breakfast, took a quick library run to pick up the books she had on hold, then went to Lincoln Park for a picnic, a game of Qwirkle, and some general hanging out.
After we returned home, we have Asian take-out, she blew out the candles (on her crustless sweet potato pie) and we played a game of Bohnanza.
She won Qwirkle by a wide margin, but I kick butt in Bohnanza. I keep telling my family that they should always trade if they can. Never try to hurt another player by denying yourself a trade, but they keep playing defensively.
Then, best of all, she went to bed super-early and slept hard for 10 hours.
It wasn’t exactly a tennis bracelet/fancy restaurant birthday, but she had greenery, sunshine, and family time, which are her very favorite things, so we’re calling it a win.
Oh, yeah: I got her a nice, wide-brimmed straw hat for summer sunshines and being a little dressy. She was pleased.
But that was yesterday. Today I’m struggling with Scrivener once again. In a few minutes, I’m going to say fuck it and watch some Person of Interest.
1) A comparison of Zulu and Filipino stick fighting. Video.
3) Five Details They Cut From My Season Of The Biggest Loser. We all knew this show was complete shit, but it’s even worse than I thought.
4) What happens when engineers own dogs. Video.
7) “In my view, the parties do not need a judge; what they need is a rather stern kindergarten teacher” Spiteful upper-class twits drive each other wild.
No, I’m not going to put the periods into SHIELD, because that’s too annoying. Does the FBI put periods in? They do not.
So, AoS seems to be two different shows: one covering the first two-thirds of the season and another for the rest. The early one was kind of a chore… a friendly chore and one I didn’t resent too much, a lot of shows need time to find their feet.
The second show, the one they’re wrapping up the season with, is actually good. File that under “unexpected.”
Here’s the thing: with these shows you can lay the emphasis on the characters, or on the shit the characters deal with. Obviously, in a perfect world both would be extraordinary, but this isn’t a perfect world (because we had that show, it was called LIFE and it was cancelled). So you either focus on the relationships and have pretty interesting plots or the outside threat with a mostly-interesting cast. Everyone in the whole world loved HOMICIDE: LIFE IN THE STREETS except me, because I was so very uninterested in the drama between the cops. I didn’t care if those guys bought a bar together. I didn’t care about that one guy’s marriage or the other one’s health. All that stuff made me bored and irritable.
On the other side is THE X-FILES, in which the two leads were boring cyphers (luckily played by actors with extra helpings of charisma) but the weirdness they investigated was usually pretty fresh.
Anyway, AGENTS OF SHIELD started off as the latter: They tried to give us characters that delighted us instead of ones we could really invest in. Fitz/Simmons were excitable science-loving nerds, May and Ward were badasses with mysterious pasts, Coulson was still trading on the appeal he’d earned in the movies, and Skye was the pretty, idealistic audience stand-in with a lot to learn.
Which was fine, but the show set itself up as though they were a team of cops in a world with superheroes, then didn’t deliver. The pilot was fine, if a little rough, but they lost track: They were seeking a piece of alien tech with alien germs on it. They were hunting a rogue agent with a cyborg eye. They were trying to understand why people kept dying near an outcast safety inspector.
It’s not that they were bad ideas: there was a pyrokinetic in there, a wacky gravity machine, a wacky freezing machine, an Asgardian weapon, a couple of renegade Asgardians, and most interesting of all: an enemy mastermind who called themselves The Clairvoyant. It’s a cool idea; how would you defeat an enemy that could see the future?
But none of it had any zip. There were set-pieces they’d obviously spent money to pull off, like the revolving room in the gravity episode, but I wanted Coulson to be the mild-mannered badass of his Marvel One-Shot short film.
I wanted to be surprised by the characters’ solutions to the problems they faced. I wanted to see Coulson analyze the situation so well that he was ahead of everyone, including me. What I didn’t want was to be just as knowledgeable about the next step the team needed to take as the team was. I didn’t want to feel dragged along.
If they’re chasing a villain who can make men do whatever she wants, the team should not be surprised that the cops setting up a perimeter around the villain’s location have already been turned. I wasn’t. Why am I more suspicious than the trained government agents? There’s no excuse for it except not putting the effort in.
Instead, they should have played out the big reveal that the cops had already been turned, then show Coulson defeating them or defusing them immediately, because [CLUE] made him realize they were not on his side. Unfortunately, that never happened. Coulson was never ahead of me, and that’s a problem.
Then there was The Big Twist, the tie-in with The Winter Soldier, which revealed that one of team had been a double-agent after all. Suddenly, the show stopped focusing outward and began to focus on the team. Ward’s betrayal is still playing out, and last week’s episode showed that the whole team has realized that he’s Hydra. It’s playing hell on the camaraderie that has been kind of dull all season, and it’s making for complicated relationships.
It’s funny; they could have done something like this with Skye straight from the start. Her goal in the pilot is to uncover secrets, and there she is in the heard of a secret government agency. What Skye wanted to do what exactly what Captain America did to defeat Hydra and SHIELD both; she’s a good guy.
And she could/should have been a much larger source of conflict, not because she’s a villain but because she is most definitely not. Instead, her desire for openness is played as naivete and she sheds it quickly, buying into the group culture. It’s a lost opportunity.
Still, the best moment in the whole season so far was when Skye calls Ward a Nazi because a) it was absolutely the right thing for her to say and b) it surprised me. Ward’s response–and his conflict between his loyalty to Garrett and his love for Skye–has brought his character to life.
Shit’s become fun.
Alongside that, SHIELD as an organization is 100% gone. The team has lost its plane, its funding, its backup, its computer/intelligence resources, and its official sanction. In fact, they’re wanted fugitives. Whatever they do next, it had better be clever. If Nick Fury or whoever swoops in and fixes things for them, I’m going to be seriously disappointed.
Story beats they should hit before the end of the season:
1) In the pilot, Skye wanted radical openness. Now she has it. How does she feel about that? How do any of them feel? Not just the loss of their organization and their identity as SHIELD agents, but the loss of power that comes from keeping information secret.
2) CA2:TWS made it a point that SHIELD and Hydra were more alike than the good guys would care to admit. Coulson and his team keep discovering that their organization was involved in shady things–the most recent was that they intensified Mr. Darkforce’s powers instead of weakening them. But at no point does he take responsibility for this, nor does he seem capable of concluding that maybe SHIELD had lost sight of its mission and is better off gutted.
1) Baby noises edited into beatboxing. Video.
2) Every live action Marvel movie from 1998 ranked. I’d quibble with some of the rankings, but who wouldn’t? Also, there was no excuse for Elektra being so terrible.
3) The Ten Most Deadly Rocks And Minerals. h/t Kat Richardson
You guys know about Kindleworlds, right? It’s a system that Amazon set up some months ago to let people write, publish, and sell fanfiction based on established properties like The Vampire Diaries, Pretty Little Liars, GI Joe (not the movies) or “The World of Kurt Vonnegut” (and so on). All you have to do is follow the content guidelines and not suck. Complicated, right?
Well, today I discovered that there’s a Kindleworld license for Veronica Mars, but only for the years covered by the TV series. The content guidelines make it clear that anything taking place after the end of season three is verboten.
Yet again, I wish I could be prolific. It would be tremendous fun to tear off a quick VM whodunnit, preferably hammering at the class warfare aspects and digging into the private lives of some of the supporting characters. (Like Cliff! “These are my people, V.” I love that dude.)
Alas, I do not have the time for it. Even as a novella or something, it would take too much time.
I watched the movie again, mainly because I really like mysteries. Last night, the family finished watching season 2 (It’s slow going getting individual discs from Netflix on a one-at-a-time plan) and I have to say S2 was better than I remember it. Obviously, Lilly Kane was the heart and driving force behind season 1; Amanda Seyfried’s performance was so incredibly charismatic that the school bus explosion–with its numerous but mostly faceless victims, plus Meg–couldn’t touch. Every ep of S1 showed Lilly in some kind of flashback or dream sequence, if I remember correctly; how could sweet, honest Meg lying in a coma compete with that?
Still, watching both seasons all in a rush was very interesting. In season 1, knowing that some viewers would miss episodes, several of the clues and story beats were hit in several different episodes. How many times did they “reveal” that Weevil was having a secret relationship with Lilly, and that he loved her more than she loved him?
In season 2, they talked about the clues they’d discovered previously, but didn’t play them like story beats. What’s weird is that S2 almost completely drops the bus story line for several episodes in a row. The season gets caught up in a bunch of mini-mysteries that are either tangential to the bomb story (At no point did I believe Terence Cook was a serious suspect) or completely separate from it, like the murder of Felix Tooms. Then there’s the whole plot line that takes Wallace to Chicago, or the Casablancas family business troubles…
In fact, there’s a lot going on but much of it doesn’t seem to have much to do with the supposed Big Mystery of the Season. It feels fractured, leaving Veronica to act without the same wrenching need to Solve Everything she had in S1. The driving forces that should have been there–her guilt over surviving and over Meg’s condition, plus her name being written on Curly’s hand making her think the bomb was meant for her–just don’t feel immediate enough.
Another choice that felt weaker was the decision to lose the family lives of Duncan and Logan and replace those characters with Kendall Casablancas and the “Fighting Fitzpatricks”. Yeah, it’s a fine thing to widen the scope so we see more of Neptune, but Irish gangsters aren’t anywhere near as compelling as a fucked up family. Papa Casablancas is only in the first few episodes, Wallace’s mom goes up in a puff of smoke when she breaks up with Keith, and Aaron Echolls mostly turns up in his jail cell. Keith and Terrence Cook are pretty much the only parents on the show, and the Cooks are not nearly as fucked up as they should be for a long form mystery.
Still, the episodic mysteries were as strong as every, and Bell is still amazing as Veronica. I like Logan as a character but I’ve always had zero interest in their supposedly epic love. Seriously. If S1 didn’t exist, S2 would have been one of the best shows ever.
S3 is up next, and I remember it being more soap opera/relationship-focused than previous seasons. I was also Team Piz back in the day and I was even more firmly Team Piz after the movie. Still.
Anyway, the movie: I was sure the show would not work once the characters were adults. There was something incredibly effective about addressing class issues through teenage characters. They’re screwed up by the system but not really to blame for it, either. Plus, school forces everyone to be in everyone else’s spaces; you can’t avoid your enemies if you’re stuck going to school.
It worked anyway, which gives me hope for a sequel. Supposedly Warner has a dollar figure they want to see from the movie before they sign off on a sequel and no, I wouldn’t back another Kickstarter. Whatever annoyance I felt at the Flixster thing has been washed away by the movie itself. Still, Veronica with a cleaned-up Logan, back to work at her father’s PI office? I’d love to see a resurgence of PI stories.
Anyway, the show and the movie are buzzing away in my head, making work on my own stuff seem dreary and unpleasant. Must break through and get back to good things.